Tetembungan Jawa Maanyar

 Iki namung cathetan kanggo anyimpen tetembungan Jawa maanyar supaya ora bisa mailang ing wayah besuk.

 

Wawaran (1-10) 

 pesan parwan patlon papatan palman paneman paton palon pasngan paluhan

 

Tumbuk = bali windu kanggo pasaran lan lair

Tumbuk Kapisan 

Tumbuk Alit, Tumbuk Ageng, Adi Yuswa (saben 31 taun)

 

Caturasrama

Brahmacarya, Grehasta, Wanaprasta, Sanyasa (saben 24 taun)

 

Jiwawarsa

Sesawa

Sesawa

Balya

Kumara: Kesora, Taruna

Yuwana: Tarunaka, Prodaka

Wardakya: Nicaka, Ucaka

 

Caturpurusa, caturpurus

Dwipurus (Darma, Moksa)

Tripurus (+ Arta )

Darma, Arta, Kama, Moksa 

 

Yowana, Grehasta > Caturpurusa

 

Caturwarna (caturswawarna)

Brahmana, Satriya, Wiswa (Wesiya), Sudra 

 

 

The inciting nafs (an-nafs al-ʾammārah)

The self-accusing nafs (an-nafs al-luwwāmah)

The inspired nafs (an-nafs al-mulhamah)

The nafs at peace (an-nafs al-muṭmaʾinnah)

The pleased nafs (an-nafs ar-raḍīyyah)

The pleasing nafs (an-nafs al-marḍīyyah)

The pure nafs (an-nafs aṣ-ṣāfīyyah)

 

saptadosa, mretadosa 

Pride (Takabbur)

Greed (Tamaa)

Jealousy (Hasad)

Lust (Shahwah)

Backbiting (Gheebah)

Stinginess (Bokhl)

Malice (Keena)

 

 Purwastiti = fitrah

 

Alusdriya = Lathaif sitah

 

Aditatwa Haqqiqah

Adiwidya Maarifah

Adisampurna Ihsan

 

 Subakira husnuzan

durkira 

Glossary of Islam

 

Adisirna fanaa

 

Key Nuances of "Knowledge" in Arabic:

• 'Ilm (عِلْم): The most comprehensive term, often used for scientific, religious, or theoretical knowledge, encompassing understanding, certainty, and study. It is the antithesis of ignorance (djahl).
• Ma'rifah (مَعْرِفة): Focuses on familiarity, awareness, or recognizing something through experience, reflection, or sensory perception. It is often used for recognizing a particular thing, person, or inner truth.
• Hikmah (حِكْمة): Represents wisdom or deep understanding that leads to right action, often implying a practical application of knowledge.
• Iṭṭilā' (اطِّلاع): Refers to information, perusal, or being well-informed about a specific subject.
• Khibra (خِبْرة): Denotes expertise or knowledge gained through experience.
•  

 

 

 

Durlaras = dissonance

Sularas = resonance

Parilaras = harmony

Lakularas = melody

Trilaras = accord

Titilaras = melody scale

Pancalaras = pentatone

Asthalaras = octave

Saptalaras = diatonic

Parolaras = semitone

1. Tempo (Speed)

• Adagio: Slow.
• Andante: At a walking pace.
• Allegro: Fast and bright.
• Accelerando: Gradually getting faster.
• Slentando/Stiracchiando: Becoming slower. 

2. Dynamics (Volume)

• Pianississimo (ppp): As soft as possible.
• Piano (p): Soft.
• Mezzo Forte (mf): Moderately loud.
• Forte (f): Loud.
• Fortississimo (fff): As loud as possible.
• Crescendo: Gradually louder.
• Diminuendo/Decrescendo: Gradually quieter. 

3. Articulation and Style

• Legato: Smooth and connected.
• Staccato: Detached, short notes.
• Spianato: Smooth, even.
• Teneramente: Tenderly.
• Svegliato: Awakened, animated. 

4. Structure and Theory

• Bar: A vertical line through the stave marking music into sections.
• Chord: Two or more notes sounding at the same time.
• Clef: A symbol at the beginning of the stave indicating note pitch (e.g., treble, bass).
• Coda: A section added to the end of a piece to "round it off".
• Da Capo (D.C.): Go back to the beginning.
• Sharp (
  
  ): Raises a note by a half step.
• Flat (
  
  ): Lowers a note by a half step. 

5. Voice and Instrument Types

• Soprano: Highest female voice.
• Alto: Low female voice.
• Tenor: High male voice.
• Bass: Lowest male voice.
• Baritone: Middle male voice.
• A Capella: Vocal music without instrumental accompaniment.
• Arco: Playing a string instrument with the bow. 

 

 Swarika = female vocalist

Swaraka = male vocalist

Ucaswarika

Madya

Nica

Ucoca = countertenor

 

Penakswara = tessitura

Swarawarna = timbre

Swalaras = vocal range

Laras ka = pitch

Alpalaras = minor scale

Brehalaras = major scale

Purnalaras = perfect pitch

= vocal cord